OVERHEAD.
A disc of light stops over a glass house in the snow. Inside, a room of people decides who it came for.
Episode 1, in full
No excerpt, no sizzle: the whole first episode, the way it premiered. Sound on — every voice, every room tone and the score were made for this cut.
Why the studio makes its own films
A commissioned film has to behave: a brand, a product, a deadline. An original has nowhere to hide. OVERHEAD is where the studio finds out what the method can carry when nobody is paying for it — long dialogue, a cast that has to stay the same person across a dozen shots, a light that has to mean something by the end. Everything that survives here is what a client gets offered next.
The visual thesis
One image: a warm glass room on a frozen lake, and a cold disc above it that never explains itself. The house is all sightline and no shelter — the people inside can see everything coming and still cannot agree on what to do about it.
The production
Script first, then a character sheet for every face so the same person survives every shot. Each line of dialogue is recorded before a frame is generated, and the picture is cut to the voice — never the other way round. Then edit, sound design, score and grade, under one director.
Declared, not hidden
Every film on this page is AI-generated and says so beside the player. The story is invented; the disclosure isn't.
This month's rate: a 30-second cinematic ad is $600, a 60-second brand film $930 — quoted before anything is made, delivered worldwide in six business days.
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